Masterpiece
Buenisimo
Pacing is the real story here. The first three cuts feel like the band still finding the room, then it locks in and doesn't let go until the closer. The mix prioritises bottom end and it's all the better for it.
The production sits between Madlib's haziness and J Dilla's percussion sensibility. Track 4 is the centerpiece — that bassline is going to live in my head for months.